Paris Hilton Has a Podcast, With a Twist

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Podcasting holds a strong allure for would-be media disrupters and visionaries. In the still-developing medium, they see wet clay, capable of being molded into an ideal vessel for long-form narrative journalism or fiction or game shows or musicals or memoir.

Add Paris Hilton to their ranks. Hilton, master of an earlier mass-communications era in the tabloid-fueled early aughts, is getting into the podcast business with a new company, her own show and an unusual spin on a form that will seek to create an audio equivalent to social media.

“This Is Paris” will debut on Feb. 22 in partnership with iHeartMedia, the radio giant that has become one of the largest distributors of podcasts, with more than 750 shows collecting more than 250 million downloads per month. Aimed at Hilton’s over 40 million followers across social media platforms, the new show will offer a mix of personal content and conversations with her family, friends and other celebrities. It will be the flagship of a planned slate of seven shows to be produced by Hilton’s company, London Audio, and the iHeartPodcast Network. The other programs, featuring different hosts, will be released over the next three years.

“I’ve always been an innovator and first mover when it comes to reality TV, social, D.J.ing, and now I really believe that voice and audio is the next frontier,” she said in an interview.

A key feature of her podcast will be its use of a format that Hilton is calling “Podposts”: short (between one and three minutes), stripped-down dispatches meant to mimic the cadence and tone of posts on social media. The “This Is Paris” podcast feed will host longer (around 45 minutes), more traditionally produced episodes weekly, with intermittent Podposts filling in the gap several times per week.

“I really believe that it is like another form of social media,” Hilton explained. “I do so many things — being a D.J., a businesswoman, a designer and an author — so there will be a lot for me to talk about.”

Preplanned categories of Podposts will be inspired by Hilton’s famous catchphrases, including “That’s Hot” for product recommendations, “Loves It” for culture recommendations and “This Is my Hotline,” in which Hilton will respond to voice mail messages sent in by listeners. Conal Byrne, president of the iHeartPodcast Network, said the company is currently looking to partner with brands for sponsorship at different levels.

“Her power to recommend products to her fans that she believes in is just about unrivaled,” Byrne said.

Since the end of “The Simple Life,” her reality television series with Nicole Richie, in 2007, Hilton, who will turn 40 this month, has branched into a wide range of industries through her company, Paris Hilton Entertainment. Its assets include 45 retail stores and 19 product lines across categories like fragrance, fashion and accessories. Before the coronavirus pandemic, Hilton was a sought-after D.J. around the world, for which she has been paid a reported $1 million per gig.

In this new deal, iHeartMedia will fully fund the slate of shows produced in partnership with London Audio at a budget of multiple millions of dollars. The two companies will be joint partners in each show and split all revenue streams. After “This Is Paris,” the rest of the slate is expected to be geared toward subjects including beauty, wellness, dating, philanthropy and technology, with Hilton and Bruce Gersh, the president of London Audio, serving as executive producers.

“This is a medium that has so many dimensions and really allows you to connect to an audience in a unique way,” Gersh said. “Paris wanted to jump in wholeheartedly.”

Hilton, who named “Bill Gates and Rashida Jones Ask Big Questions” and Kate and Oliver Hudson’s “Sibling Revelry” as among her favorite shows, immersed herself in the medium while grounded at home in Los Angeles during the pandemic.

“Usually, I’m traveling 250 days a year and working constantly,” she said. “During this whole year in quarantine, I’ve had more free time than I’ve ever had in my career. So I’ve been listening to a lot of podcasts and getting really interested. When I’m cooking or working or doing my art, I always have them on in the background.”

Podcasts have become a favored outlet for celebrities seeking to engage with fans in more depth than is possible in a typical post on Instagram or Twitter, while avoiding the scrutiny and vulnerability that comes with speaking to the press. Name recognition is a powerful advantage on the platform — shows by celebrity podcasters like Dax Shepard, Jason Bateman, Anna Faris and Bill Burr appear regularly in the top 50 of the Apple Podcasts charts. (In addition to the Hilton deal, iHeartMedia has struck joint partnerships with Will Ferrell and Shonda Rhimes for slates of shows.) And podcast audiences tend to be a relatively friendly bunch: There are no comments sections to elevate unpleasant behavior, and podcasts by their nature require a level of active engagement that discourages drive-by detractors.

“I think once people understand that this is a platform where they can directly interact with their fans without any kind of middleperson, it becomes a very attractive proposition,” said Tom Webster, senior vice president of Edison Research, a media research firm.

Webster added that Hilton’s Podposts concept reminded him of the proto-podcast field of audio blogging, in which writers for websites like The Quiet American and The Greasy Skillet posted short audio diaries. “It allows them to stretch out into their personal interests in a way they don’t get to in their day job,” he said.

“This Is Paris” shares a name with Hilton’s YouTube documentary, released last fall. In that film, which has nearly 20 million views, she distances herself from the blithe, ditsy persona with which she has been identified since emerging in the glare of paparazzi bulbs two decades ago. Hilton also says that she was abused by administrators at a private boarding school she attended as a teenager, an experience by which she remains traumatized.

The podcast is meant to follow in the same candid vein. Hilton is recording it at a home studio (built for her music projects) and using her much-discussed natural voice (which, to my ear, is deeper than her most girlish trill but not a dramatic departure).

“She talks in a way that’s very relaxed and accessible, as opposed to someone who is putting on a performance,” Byrne said. “Right away she was a natural at making it feel like a one-on-one phone call and not a one-to-many media asset.”

For Hilton, recording the pilot for the show did feel uncomfortable at first — unlike on social media, there were no glamorous photos or videos to hide behind. “It’s only about the knowledge you’re bringing and what you’re saying with your voice,” she said.

But soon she fell into a groove. After a lifetime of being the subject of interviews, she’s been enjoying “turning the tables” as the one asking questions. Compared with her old jobs, the commute isn’t bad either.

“I love being a homebody,” she said, reflecting on her new chapter. “I’ve worked so incredibly hard to build my empire — now I get to finally enjoy it.”

Source: nytimes.com

THIS IS PARIS | TheWrap Screening Series

Paris Hilton is being called out for saying she’s doing IVF so she can have ‘twins that are a boy and a girl’

Paris Hilton said she is beginning the process of in-vitro fertilization (IVF) with her boyfriend Carter Reum on Tuesday.

IVF is a fertility treatment that takes an egg and a sperm and fertilizes them in a lab, rather than during sex, to help couples conceive. During an interview in an episode of “The Trend Reporter with Mara”, Hilton said Kim Kardashian was the person who told her about the process, suggesting her own doctor.

The 39-year-old heiress said she wanted to start the process now to ensure she could have “twins that are a boy and a girl,” since parents can, for an added cost, select which embryos they want to use.

“I think it’s something most women should do just to have and then you can pick if you want boys or girls,” Hilton said. “The only way to 100% have that is by doing it that way.”

Hilton’s words were met with some pushback on social media, as many people who undergo IVF struggle to have any healthy embryos, let alone enough to chose between them for their sex.

What’s more, experts say selecting embryos by sex is ethically complicated.

Many felt Hilton’s comments were “out of touch” and insensitive to people struggling with infertility who can’t afford IVF, a procedure that can cost upwards of $12,000.

“Millions of women across this country cannot have access to IVF due to lack of funding and insurance coverage — women/men with actual medical diagnoses — and even after they finance and go through all the struggles of even getting to IVF, it’s no guarantee that they end up with a healthy baby,” one Instagram user wrote. “For her to make this statement is so beyond infuriating to me on the basis she did it to get twins and choose the sex.”

Preimplantation genetic diagnosis (PGD) is a process that can be included with IVF that screens the embryos for what sex they will be by looking if they have XX (female), XY (male), or XXY (intersex) chromosomes.

According to CNBC, this process can cost upwards of $20,000 and isn’t an actual guarantee that the embryos will take and each a full pregnancy. All PGD does is use the embryos with the desired sex, as many people who go through IVF struggle with their embryos implanting.

“IVF is not a simple case of choosing what embryos and how many embryos to transfer providing they are good quality. She needs to read up on the harsh reality of IVF,” one commenter on Instagram wrote under a post by Pregnantish.

The ethics behind choosing a baby’s gender have long been debated by experts in the biomedical field.

According to Dr. William Keye, an OB/GYN at the University of Utah Health, there are concerns that it is a slippery slope, potentially leading to an imbalanced population between sexes in places where a certain gender is given preferential treatment.

An editorial published in the BMJ’s Journal of Ethics warned sexism could play into sex selection, as it could cause more people to opt for male embryos than female embryos.

In addition to being an expensive procedure many people in the US can’t afford, the idea of “picking” a child’s gender before they are born may present some problems.

Since a child could be transgender, and may not identify with the gender they are assigned at birth, no one truly knows what gender their child will be.

Source: insider.com

Wondery Launches ‘Even the Rich: Paris Hilton’ Podcast

Paris Hilton’s story is getting the podcast treatment, with Wondery’s original podcast “Even the Rich” launching its newest season focused on the heiress, entrepreneur and OG influencer. Over four episodes, co-hosts Brooke Siffrinn and Aricia Skidmore-Williams take a deep dive into Hilton’s empire and “how this hotel heiress turned a provocative moment into super-stardom and how Paris built her persona brick by brick.” The first episode, which launched Tuesday, chronicles Hilton’s early days in the spotlight before “The Simple Life.”

She seems like a ditzy wild child. At least that’s the way the media portrays her,” the hosts detail in the episode. “She’s always on Page Six for something or other like the time she danced on a nightclub table and flashed her thong to the paparazzi. Or the time her and Nicole Richie showed up to a club in matching denim suits and nothing else underneath. But what does Paris care if she’s sometimes the butt of people’s jokes. She pretty much has it all.

Explaining why the podcast — which has chronicled the Versace family, the Kennedys, the Murdochs and Beyoncé and Jay-Z to date — focused on Hilton for its latest season, Skidmore-Williams says, “There’s so much more to her than what the 2000s media would have us believe – she’s been through a lot. Paris is quite the savvy businesswoman. She used her knowledge and experience to curate the brand she wanted for herself.

Like many, my original fascination with Paris was brought on by the outrageous public image I was seeing in tabloids and on TV,” Siffrinn adds. “But I had no idea the trauma she suffered as a teen at Provo Canyon School. My jaw definitely met the floor when I discovered the details of what really happened.

Hilton recently revealed her experiences at the Provo Canyon School on her YouTube Originals documentary, titled “This Is Paris.” The film, which launched in September, chronicled Hilton’s rise to fame and childhood traumas from her perspective.

I feel by me telling my story and having the courage and being brave is going to help a lot of other people who want to come out and tell their story,” Hilton told Variety ahead of its launch. “And expose these places for what they’re doing to children. My ultimate goal is to shut these places down because they shouldn’t exist and no child should ever have to go through what I went through.

Though Hilton is not involved in telling her story on the “Even the Rich” podcast, the show’s hosts feel confident that the media maven will approve of their take.

I believe Paris and the Hilton family will love it,” Skidmore-Williams says. “We worked so hard to honor the people behind the Hilton name and this arc tells their story with humor and poignancy while sticking to the facts.

Siffrinn adds: “They’ll see that we really do Paris justice as the ‘OG Influencer.’ We spent hours and hours watching, reading and understanding Paris and the history of the Hiltons.

“Even the Rich” is just one of podcast producer Wondery’s offerings, with original shows including “Bad Batch,” “The Shrink Next Door,” “Business Wars,” “American History Tellers,” “Tides of History,” “The Daily Smile” and “Imagined Life.” Both Wondery’s “Joe Exotic: Tiger King” and “Dr. Death” podcasts are in development for TV adaptations with Universal Content Productions.

In December, Amazon announced a deal to acquire Wondery, with the podcast producer set to join the Amazon Music group.

With Amazon Music, Wondery will be able to provide even more high-quality, innovative content and continue their mission of bringing a world of entertainment and knowledge to their audiences, wherever they listen,” a post announcing the deal explained.

Since “Even the Rich” launched in March 2020, Wondery reports that the show has doubled its audience base, through gossip-friendly episodes like their examination of the #FreeBritney movement. Hilton is also not the only reality TV figure the “Even the Rich” team plan to explore, with episodes about the Kardashian family in the works.

Source: variety.com

A Lindsay Lohan vs Paris Hilton movie may be in the works

If your brain has rotted as much as ours have, you will know, off by heart, the full story of Paris Hilton and Lindsay Lohan’s flip-flopping tumultuous friendship in the mid-noughties, with Britney Spears — arguably the most famous of the trio — at its centre. The pair, once inseparable, spent weeks in 2006 purportedly going back and forth between being besties and hating each other. (“Paris is a c*nt” lives in our head rent free.) Now, that iconic, very public feud — which apparently lives on to this day — has been transformed into a movie script. All it needs is a willing financier to put money behind this legendary story and bring it to the screen.

Debut screenwriter Ariel Sayegh is behind Frenemy, a script that’s managed to earn seven mentions on 2020’s Black List – an annual rundown of the most-liked, unproduced scripts in Hollywood which has helped launch projects like Diablo Cody’s Juno.

The blurb attached to the film’s entry calls it “a chronicle of the infamous Lindsay Lohan/Paris Hilton feud of 2004-2006 over who would be Britney Spears’ best friend”, which is a one-line pitch that has us scrambling in our pockets for cash to make this happen. If the stars don’t play themselves, who would you like to assume the roles of Lindsay, Paris and Britney?

But that famous noughties trio are not the only Hollywood legends to have their life transformed into what’s 100% bound to be an unequivocal on-screen masterpiece. The late, great Anna Nicole Smith also gets the biopic treatment on this year’s Black List.

Director and screenwriter Abigail Briley Bean has written Gusher, a script that follows the model and actress’ life and controversial positioning as a young woman married to a man pushing 90. “Based on the story of Anna Nicole Smith,” the summary reads, “a shrewd young mother rises out of a small Texas town to become a famous Playboy centerfold, but when she falls in love with an eighty-nine-year-old billionaire, his son and the entire world believe she’s nothing but a gold digger.” It got 12 mentions on the Black List while Frenemy racked up seven. Either way, both are in strong positions to get commissioned, so long as the respective parties agree to it.

So what else has made the list? The most popular, with 29 mentions, is a script by Sophie Dawson called Headhunter, about a high-functioning cannibal whose victims are selected based on how many people follow them on Instagram. Not far behind it is Chang Can Dunk, about an Asian-American basketball-obsessed teen navigating his final high school years that Disney+ have already picked up the rights to produce.

There are also some queer titles making appearances here too. A meta-fiction Richard Simmons biopic about a boy who’s inspired to lose weight and help others do the same after he’s visited by an apparition of Barbra Streisand, called St. Simmonds. There’s the story of two trans women holding a sit-in in a Nordstrom bathroom after a manager refuses to let them use it, called Occupied. And then there’s What If?, a high school movie being financed by MGM and directed by Billie Porter about a 17-year-old boy asking out his transgender classmate.

We’ll have to wait a little longer to see if anyone bites on the Lindsay and Paris feud script, but you can view the Black List rundown in full here, and get a sneak peek at the movies that might be coming your way in the years to come

Source: i-d.vice.com

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